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View related multimedia and linksBasketmaker
- Baskets necessary for rural family life
- Families made rather than purchased baskets
- White oak preferred material
- Entire family learned the trade
Families made their own baskets
Woven white oak baskets were as useful to colonial Virginians as they were simple, beautiful, and strong. Basketmaking was a domestic activity rather than a business, as families needed baskets of all sizes and shapes for personal family use, and most families made their own baskets – which lasted many years.
American white oak was preferred construction material
Today demonstrated at the Wythe House, basketmaking requires an ax, a few wedges, a large knife, and a supply of saplings. Baskets would have been made from ash, hickory, cedar, and reeds in colonial times. In England, willow branches – called "sallows" if the bark was left and "osiers" if it was stripped – were popular. But England also imported from America the tough and supple white oak the colonists preferred for its tractability and its clear, perfect, straight grain.
Weaving and plaiting required nimble fingers
Basketmakers started with green, six-foot sections of 10-inch diameter logs and split them into sixteenths. They saved the reddish heartwood for basket handles. Slicing along the growth rings, the knife peeled away long flexible, wooden ribbons. The weaving and plaiting required more nimbleness than strength, and both men and women made baskets and taught the children as soon as they were old enough to learn.
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Podcasts
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Basketmaking: A Skill Learned With the Hands
Colonial Williamsburg basketmaker Richard Carr talks about the necessity of basketmaking in the 18th century, and why it has become a rare skill in modern times. November 20, 2006
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A Slave's Perspective
The Declaration of Independence was a promise extended to white men only. Hope Smith portrays Eve, a slave in the Peyton Randolph house. July 16, 2007
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The Slave Trade
The slave trade touched the lives of people around the globe, explains Colonial Williamsburg's Educational Program Development director Bill White. February 9, 2007
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Mr. Wythe's Cook
Valarie Holmes interprets Lydia Broadnax - a cook for one of Williamsburg's most influential men. June 19, 2006
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Emily James interprets spirited women
Jamaican-born Emily James has interpreted at least 16 different 18th-century women who learned how to survive lives of enslavement. February 27, 2006
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Recalling African American Interpretation
Rex Ellis reflects on 25 years of interpreting the African American experience in the colonial period. February 6, 2006
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Journal articles
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"Every part works in harmony"
The Venerable Craft of Basketmaking
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Fighting... Maybe for Freedom, but probably not
Slaves and free blacks in the Revolutionary War
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Slave Conspiracies in Colonial Virginia
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Finding Slaves in Unexpected Places
Keeping Blacks in Bondage Was Not a Southern Monopoly
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